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‘She has constituted herself leader of the émigrés here, and feels justifiably slighted by having taken the pretend Valades under her wing. He would know the truth then once and for all. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. Not even, it seemed, this interfering monsieur le major.

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