The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. Pragmar, the wholesale druggist, who lived three gardens away, and who had been mowing his lawn to get an appetite for dinner, standing in a fascinated attitude beside the forgotten lawn-mower and watching her intently. ” She shivered. ” “Wait? For what?” She replied.
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